*No issues in this context, means that the end result sounds amazing, and I have no issue with that, but getting there is sometimes difficult as it is with all samples pianos. Noire is mostly useful for its felt samples and noise samples, in its normal mode it cannot keep up with the other alternatives and lacks dynamics. Piano World Home Page Forums Our Most Popular Forums Digital Pianos - Electronic Pianos - Synths & Keyboards Ravenscroft 275 vs. The piano itself is extremely clean, and the mic chooses a bit cold to my ears, specially compared to the Garritan. That, combined with a lack of a real velocity curve in the plug-in, makes it too hard to control.
Ravenscroft 275 by VI Labs - The Voice Watch on Promises by Sam Sorensen - R275 Player & Side mics Download 85.8K 85. AUDIO AND VIDEOS Listen to our demos and watch the videos. VSL Steinway is the most deeply sampled of them all, but IMO has a lot of other issues, main one beeing a wierd dynamic response which makes it sound unnecessarily hard compared to te countless real Steinway D:s I’ve had the pleasure to play. If the usual piano tones have worn out their welcome and it's time for something fresh, the Ravenscroft 275 is here. Other good ones in your list are Walker, very deeply sampled, sounds great and a vibtage Steinway with lots of character, but for most of my uses it sounds a bit too vintage. It’s definitely on the cleaner side, so some would probably say that it lacks character.
with the RD2000 as the master keyboard in conjunction with an I.B.M. It’s extremely good scripted, deeply sampled and the Abbey road room sounds like a million dollars. I am currently using the Ravenscroft 275 V.S.T. As a matter of fact I’ve just finished a piano album in a neo classical style, and have no issues* with using Garritan together with a 22 piece live orchestra, even when the piano is central in all the songs. I mostly use Garritan CFX for solo work, and am very happy with it.
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